Category Archives: This century (1937-2024)

Richard Twiss — February 9

Richard Twiss

Bible connection

The Word became flesh and blood,
and moved into the neighborhood.
We saw the glory with our own eyes,
the one-of-a-kind glory,
like Father, like Son,
Generous inside and out,
true from start to finish. — John 1:14 (The Message)

All about Richard Twiss (1954-2013)

Richard, Tayoate Ob Najin (He Stands With His People), was born on the Rosebud Reservation (Sicangu Lakota Oyate) in South Dakota in 1954. His father was a member of the Oglala Sioux from Pine Ridge Reservation, also in South Dakota. After his parents separated when he was seven years old, Richard moved to Denver, CO with his mother during a period of Indian urbanization (see the Federal Indian Relocation Act). They eventually moved to Oregon where Richard finished high school. They made visits back to the Rez, staying in touch with relatives.

Twiss moved back to Rosebud to attend his first year of college at Sinte Gleska (Spotted Tail) University where he became involved with the radical politics of the American Indian Movement (AIM). He participated in the famous takeover of the Bureau of Indian Affairs office in 1971. He wandered and experimented with many substances. One night in 1974 on the island of Maui, Jesus responded to Richard’s desperate prayer. There began a transformation that was coming into its fullness at the end of his life as a Lakota follower of the Jesus Way.

Two years after meeting Jesus, he married Katherine (Scottish and Norwegian decent) while living in an intentional community in Alaska. Together, they had four sons. Richard served as pastor of a mostly white church (their family being the notable exception) in Washington State for over a decade. While there, Richard felt a nudging of the Holy Spirit. Across the US and Canada and around the world, Indigenous People were sloughing off the colonial residue that lifted up dominant cultural norms above other God-endowed cultures such as their own. This residue is typified by the U.S. policy of “Kill the Indian, Save the Man” that resulted in the abuses of the  residential schools.

In 1997, he and Katherine began Wiconi International, a non-profit ministry “to work for the well-being of our Native people by advancing cultural formation, indigenous education, spiritual awareness and social justice connected to the teachings and life of Jesus, through an indigenous worldview framework.” Richard taught and spoke in many contexts, local to the Portland area, around the U.S. and the world. Richard not only taught about the wonders of creation but also the negative impact of Christian mission in the U.S. — all with his disarming sense of humor. He received a doctorate from Asbury Theological Seminary in 2011 (Intercultural Studies) and authored two books One Church, Many Tribes: following Jesus the Way God Made You and Rescuing Theology from the Cowboys: An Emerging Indigenous Expression of the Jesus Way in North America as well as many articles. His contributions to contextualizing the gospel have been a source of healing and inspiration for Indians and non-natives.

Richard Twiss was one of the founders of the North American Institute for Indigenous Studies, an Indigenous learning community that now includes several seminary programs. He served on the board of directors of the Christian Community Development Association and the Native American Youth and Family Center in Portland and others as well as being the U.S. representative for the World Christian Gathering of Indigenous Peoples.

Dr. Twiss did not live without critics of his work from within native communities and from Christians. Toward the end of his life, he often talked about the next generation carrying on the work. He had a knack for expressing love and including people. His capacity to forgive astonished many but did not dissuade him from working for justice or inspiring people to fall deeper in love with Jesus and walk in His Way.

In 2013, while in Washington, DC to participate in the National Prayer Breakfast, Richard suffered a massive heart attack. He died three days later on February 9th, surrounded by his wife and their four sons at 58 years of age.

Richard Twiss often received credit for the work and wisdom of his community because of his notoriety and charisma. He thought that was funny. He did not promote himself nearly as much as he did the movement. His goal was to build the community. He gathered people, encouraged them to love and give of themselves to fulfill a vision of reconciliation, to move toward what his close friend Randy Woodley describes as “the community of creation.” He always tried to speak from a place of community, and did not strive to be a celebrity as much as demonstrate the Lakota value of being Ikce Wicasa, a common human person.

More

A short article for Mission Frontiers “Making Jesus Known in Knowable Ways” [link]

Video of Richard’s keynote speech at CCDA 2011 [link]

Wiconi International’s Youtube page, several short pieces [link]

Red Letter Christians’ tribute page to Richard [link]

What do we do with this?

Richard Twiss did not have an intact family or an easy youth, yet Jesus called him, healed him, and made him an influential proponent of radical Christianity. Consider how Jesus is calling you.

This ancestor in faith may have introduced you to many aspects of American culture that were unfamiliar to you. Spend some time learning and allow your heart to become large enough to include brother and sisters unlike you.

John R. Mott — January 31

Bible connection

But what does it say?

“The word is near you,
    on your lips and in your heart”

(that is, the word of faith that we proclaim); because if you confess with your lips that Jesus is Lord and believe in your heart that God raised him from the dead, you will be saved. For one believes with the heart and so is justified, and one confesses with the mouth and so is saved. The scripture says, “No one who believes in him will be put to shame.” For there is no distinction between Jew and Greek; the same Lord is Lord of all and is generous to all who call on him. For, “Everyone who calls on the name of the Lord shall be saved.”

But how are they to call on one in whom they have not believed? And how are they to believe in one of whom they have never heard? And how are they to hear without someone to proclaim him? And how are they to proclaim him unless they are sent? As it is written, “How beautiful are the feet of those who bring good news!” But not all have obeyed the good news; for Isaiah says, “Lord, who has believed our message?” So faith comes from what is heard, and what is heard comes through the word of Christ. — Romans 10:8-17 

All about John R. Mott (1865-1955)

John Mott stood before the fabled 1910 Edinburgh Missionary Conference and said,

“It is a startling and solemnizing fact that even as late as the twentieth century, the Great Command of Jesus Christ to carry the Gospel to all mankind is still so largely unfulfilled. … The church is confronted today, as in no preceding generation, with a literally worldwide opportunity to make Christ known.”

His evangelistic passion made Mott his generation’s most popular evangelist to university students and the promoter of the emerging ecumenical movement.

Mott was born in New York but raised by parents who settled in Iowa. They nurtured his faith and duty. While he was in college at Cornell University, C. T. Studd, the famous cricket-player-turned-evangelist struck him with these words: “Seekest thou great things for thyself? Seek them not. Seek ye first the kingdom of God.” That same year, at the 1886 Northfield Student Conference led by Dwight L. Moody, Mott stepped up and became one of the 100 men who volunteered for foreign missions.

Mott’s destiny, however, lay not in foreign missions but in evangelizing college students and inspiring others to foreign mission work. He became college secretary of the YMCA in 1888, when the organization was consciously evangelical and aggressively evangelistic. That same year, he helped organize the Student Volunteer Movement for Foreign Missions (SVM), which he led for thirty years. By the time he spoke at SVM’s 1951 convention, over 20,000 volunteers had gone to mission fields through its efforts.

Mott’s energies could not be bound by one or even two such organizations, no matter their scope. In 1895 he helped found the World Student Christian Association and traveled some 2 million miles to further the federation’s dream: to “unite in spirit as never before the students of the world,” and so hasten the fulfillment of Jesus’ prayer, “that all may be one.” On every continent he visited, he established immediate rapport with students and church leaders, who flocked to hear him speak. His reputation for irenic yet impassioned appeal for dedication to the kingdom of God grew; heads of state sympathetic to his mission honored him upon arrival and consulted him in private.

In 1893 he helped found the Foreign Missions Conference of North America, and in 1910, he helped pull together and chair the massive Edinburgh Missionary Conference—its 1,200 delegates represented 160 mission boards or societies.

All these movements, and a few more with which Mott was involved, eventually blossomed at the World Council of Churches in Amsterdam in 1948. Mott was not only officially named honorary president at the inaugural session, he has come to be remembered as the “father of the ecumenical movement.”

By the time Mott was 32, he was called “Protestantism’s leading statesman,” at 58, the “father of the young people of the world,” and at age 81, in 1946, he was awarded the Nobel Peace Prize.

In an era when liberals and fundamentalists debated fiercely, Mott took a middle view: “Evangelism without social work is deficient; social work without evangelism is impotent.” Still, evangelism was his first love. The title of his bestselling 1900 book is The Evangelization of the World in This Generation, and in his last public appearance, he said, “While life lasts, I am an evangelist.”

More

Mott used as an object lesson for the men’s group — “you must rest”:

A participant’s description of John Mott’s chairmanship at the 1910 Edinburgh Missionary Conference:

When he himself addresses an assembly, [he] knits and kindles the craggy tender face; the voice vibrates with fierce emphases and stresses. … The single words seem literally to fall from his lips (the trite expression is for once justified), finished off with a deliberation that never slurs one final consonant, but on the contrary gives that consonant the duty of driving its word home. And as for the sentences also—the conclusion of each, instead of dropping in tone, increases to a sort of defiant sforzando, which, when his earnestness is at its height, can be terrific.

History from the Nobel Committee:

Friendship among Christians Brings Peace

The Peace Prize for 1946 was awarded to the head of the Young Men’s Christian Association (YMCA), the American John Raleigh Mott, who according to the Nobel Committee had contributed to the creation of a peace-promoting religious brotherhood across national boundaries.

Mott grew up in a settler family in Iowa, strongly influenced by Puritan ideals, and took a bachelor’s degree in history at Cornell University. As a student Mott received a religious call to spread the Gospel, after which he devoted most of his life to the YMCA, to missionary activities, and ecumenical work.

As general-secretary of the International Committee of the YMCA and president of YMCA’s World Committee, Mott sought to advance understanding and reconciliation. He organized youth exchanges, set up study groups, and arranged international youth camps. Mott was at the same time a leading figure in the field of international Christian student and missionary cooperation, and took part during both World Wars in relief work for prisoners of war. He criticised the oppression of colonial peoples and was a pioneer in the struggle against racial discrimination.

Founding of the YMCA

History of the World Council of Churches from their site.

What do we do with this?

John R. Mott crossed all sort so lines to forge alliances. He carried a gospel of reconciliation all over the world and became famous for his good will and trustworthy character. He is a good example of the best of Evangelicalism and the “muscular” Christianity of the early 20th century. Mott was a tireless proponent of a vision that “all would be one” in Christ. What do you see as a vision worth devoting your future to?

Mahalia Jackson — January 27

 

Bible connection

Yes, all who are incensed against you
    shall be ashamed and disgraced;
those who strive against you
    shall be as nothing and shall perish.
You shall seek those who contend with you,
    but you shall not find them;
those who war against you
    shall be as nothing at all.
For I, the Lord your God,
    hold your right hand;
it is I who say to you, ‘Do not fear,
    I will help you.’  Isaiah 41:11-13

Mahalia Jackson singing live in Chicago. She was a favorite of Dr. Martin Luther King Jr. Mahalia sang this song at the March on Washington just before King gave the “I have a dream” speech. (Rod loves her).

All about Mahalia Jackson (1911-1972)

Mahalia Jackson was an American gospel singer. She had a powerful contralto voice. Even more, she had a powerful spirit that led people to name her “The Queen of Gospel.” She became one of the most influential gospel singers in the world and was known internationally as a singer and civil rights activist. She recorded over 30 albums during her career (mostly for Columbia Records), and her 45 rpm records included a dozen “golds”—million-sellers.

At the March on Washington in 1963, Jackson sang “How I Got Over” and “I Been ‘Buked and I Been Scorned” in front of 250,000 people. That was the same event in which Martin Luther King, Jr. made his famous I Have a Dream speech. She sang to crowds at the 1964 New York World’s Fair and was accompanied by “wonderboy preacher” Al Sharpton. She sang “Take My Hand, Precious Lord” at Dr. King’s funeral after he was assassinated in 1968.

Earlier, in 1956, she met Ralph Abernathy and Martin Luther King, Jr. at the National Baptist Convention. A few months later, both King and Abernathy contacted her about coming to Montgomery, Alabama, to sing at a rally to raise money for the bus boycott. Despite death threats, Jackson agreed to sing in Montgomery. By the time she got there, the U.S. Supreme Court had ruled in Browder v. Gayle that bus segregation was unconstitutional. In Montgomery, the ruling was not yet put into effect, so the bus boycott continued. The concert was a success, but when she returned to the Abernathy’s home, it had been bombed.

Mahalia Jackson once said: “I sing God’s music because it makes me feel free.” Asked about her choice of gospel music, she said, “It gives me hope. With the blues, when you finish, you still have the blues.”

Jackson’s last years were a mix of heartbreak and great success. Through friends, Jackson met Sigmond Galloway, a former musician in the construction business.  To the surprise of her closest friends and associates, she married him in her living room in 1964. A few weeks later, she had had a heart attack. Her recovery took a full year during which she was unable to tour or record, ultimately losing 50 pounds.

Galloway proved to be unreliable, leaving for long periods during Jackson’s convalescence, then upon his return insisting she was imagining her symptoms. He tried taking over managerial duties from agents and promoters despite being inept. They argued over money; Galloway attempted to strike Jackson on two different occasions, the second one was thwarted when Jackson ducked and he broke his hand hitting a piece of furniture behind her. The marriage dissolved and she announced her intention to divorce. He responded by requesting a jury trial, rare for divorces, in an attempt to embarrass her by publicizing the details of their marital problems. When Galloway’s infidelities were proven in testimony, the judge declined to award him any of Jackson’s assets or properties.

Her doctors cleared her to work and Jackson began recording and performing again. When not on tour, she concentrated her efforts on building two philanthropies: the Mahalia Jackson Foundation which eventually paid tuition for 50 college students, and a nondenominational temple for young people in Chicago to learn gospel music. She worked toward the latter for ten years.  As she organized two large benefit concerts for these causes, she was once more heartbroken upon learning of the assassination of Martin Luther King Jr.

In 1968 and 1969 Jackson toured Europe. In the next few years she had successful tours of the Caribbean, Liberia, Japan, and enjoyed a U.S. State Department sponsored a visit to India. While touring Europe months after India, Jackson became ill in Germany and flew home to Chicago where she was hospitalized. In January 1972, she received surgery to remove a bowel obstruction and died in recovery. Her body was returned to New Orleans where she lay in state at Rivergate Auditorium under a military and police guard while over 60,000 people filed through to view her casket.

More

Branching out into business, Jackson partnered with comedian Minnie Pearl in a chain of restaurants called Mahalia Jackson’s Chicken Dinners and lent her name to a line of canned foods.

Remember Me: The Mahalia Jackson Story (2022 film)

“Sweet Little Jesus Boy” on the  Ed Sullivan Show (1960)

 

What do we do with this?

Right now, let yourself be happy. Let the blues be lifted because God is with you.

If you really want to follow Mahalia’s example, sing! Try it right now. If you are in public, or with someone else in your home, do it anyway. That would be even more like her.

Thomas Dorsey — January 23

The Father of Gospel Music Wanted to Be a Secular Star

Bible connection

Do not get drunk on wine, which leads to debauchery. Instead, be filled with the Spirit, speaking to one another with psalms, hymns, and songs from the Spirit. Sing and make music from your heart to the Lord, always giving thanks to God the Father for everything, in the name of our Lord Jesus Christ. — Ephesians 5:18-20

All about Thomas Dorsey (1899-1993)

Thomas Dorsey was 33 years old and had a flourishing career in secular music. In the previous fifteen years, the Georgia native had moved to Chicago, completed his musical studies while picking up an endless number of side jobs, and eventually found a way to support himself and his expectant wife as a full-time musician. But it wasn’t to last. In the next months Dorsey lost his wife and newborn son, a tragedy which spurred him to heed the advice of those closest to him. He left the secular music scene behind and fully dedicated his musical gifts to the church.

Over the next 60 years, Dorsey became known as the “Father of Gospel Music,” writing hundreds of songs and redefining the genre in beat, rhythm, and tempo. As The Voice reported, the Chicago musician dubbed his work “songs with a message.”

Here’s the full story:

Thomas A. Dorsey was born in Villa Rica, outside of Atlanta, in 1899, the son of an itinerant Baptist preacher. When his father and mother married, his mother brought a significant amount of land. But within a few years, the family lost their property. Thomas’s father was forced to work as a sharecropper on the very land formerly owned by his wife’s family. In 1908 the Dorseys moved to Atlanta where both parents worked to help the family survive.

Thomas was placed a year behind his classmates in the Atlanta public school system and his peers often made fun of his speech and clothes. He dropped out of school at 10 and began working at a prominent black vaudeville theater, carrying water and doing other odd jobs.

As a young boy, Thomas learned to play the piano from his mother. After the family moved to Atlanta, he walked 30 miles a week to take formal music lessons. As he improved, he began playing for churches, house rent parties (parties organized by tenants to pay for their rent), bordellos, and women’s teas to help supplement his family’s income.

In 1916, at 17, Dorsey moved north to Chicago to pursue a musical career. Success was initially hard to come by. He found he couldn’t earn union scale wages as a musician without a card, and he couldn’t obtain the card without a formal music education. To pay for his education, Dorsey worked days at a steel mill in Gary, Indiana, attended school at night, and established his own nightly rent-party circuit . In 1919, Dorsey completed his musical studies at the Chicago College of Composition and Arrangement and obtained his union card. Now he was free to play anywhere in Chicago and performed with various groups, including the Whispering Syncopators and a jazz orchestra.

Dorsey also joined Pilgrim Baptist Church. A preacher’s kid who had confessed faith in Christ as a child, he had also been influenced by his father’s flamboyant style, which he often imitated on the family porch. But faith wasn’t a serious priority in Dorsey’s life until his early 20s. Initially, Dorsey’s conversion spurred him to end his secular music career, and he began playing for a storefront church. But the salary wasn’t enough to pay his bills. So, once again, Dorsey began to work in jazz and blues clubs. In 1924, Dorsey, with the Wild Cats Jazz Band, debuted with Gertrude “Ma” Rainey, at the Grand Theater in Chicago. Performing with Rainey was a significant career break for Dorsey — she was known as the “Mother of the Blues.”

Despite personal success, depression plagued Dorsey throughout his career. He appeared on stage one night with Ma Rainey and was unable to play. He said, “I could move my fingers. I just couldn’t play. Think of that. I have the muscular ability to move, but I can’t play. In other words, I can’t make music. I can’t create.” Some of those close to Dorsey, however, believed something else was at work. His wife and sister-in-law were unhappy that he had continued to pursue a secular musical career. Dorsey’s wife, Nettie, whom he married in 1925, believed that God had called him to write and sing gospel music and that the source of his inner turmoil stemmed from ignoring God’s calling.

Yet his secular career was rising. In 1928, Dorsey and guitarist Tampa Red released, It’s Tight Like That—a national sensation and a religious scandal. The song’s bawdy lyrics described lovemaking between a man and a woman. It was an instant success, selling over 500,000 copies.

Things began to change for Dorsey in the 1930s when influential church musicians began championing his music. A performance of Dorsey’s composition of If You See My Savior during a morning devotion left people “slain in the spirit.” Two NBC musicians gave Dorsey permission to set up a booth at the 1930 convention where he sold more than 4,000 copies of that song. For his part, Dorsey continued to play secular music while he visited churches and asked pastors to listen to his religious compositions.

In 1932, Dorsey’s battle between secular and sacred reached a tragic resolution. The musician had gone to St. Louis to sing at a revival. During his trip, he received a telegram telling him to return home—his wife had just died in childbirth. His infant son died the next day.

Initially, Dorsey was angry with God, believing God had wronged him. In his grief, he refused to do anything for God; he only wanted to pursue his secular career. But God had something to say to him, as Dorsey later recounted in The Precious Lord Story and Gospel Songs: “You are not alone. I tried to speak to you before. It was you that should have gotten out of the car and not gone to St. Louis. … I said, Thank you, Lord, I understand. I’ll never make that same mistake again.”

The following Saturday after Nettie’s death, Dorsey met up with his friend Theodore Frye. There, he later said, God gave him the words and melody for Take My Hand, Precious Lord: “Something happened to me there. I had a strange feeling inside … a calm—a quiet stillness. As my fingers began to manipulate over the keys, words began to fall in place on the melody like drops of water falling from the crevice of a rock.” The popularity of Precious Lord throughout the country helped revolutionize the worship atmosphere and later, inspired many in the civil rights movement. Frye introduced the song to Martin Luther King Sr.’s Ebenezer Church. On the day he died, Martin Luther King Jr. requested that Precious Lord play at a future event. Aretha Franklin sang it at his funeral. (In the documentary Say Amen Somebody Dorsey tells the story behind the song).

Ebenezer Gospel Chorus

Dorsey dubbed his music “gospel blues” due to the similarity of his gospel rhythms and vocals to those heard in blues and jazz clubs. He employed the “call and response” pattern in his songs that also reminded pastors of songs composed and sung by their enslaved ancestors.

Eventually, Dorsey’s style of worship took hold. In 1931, the established “silk-stocking” Ebenezer Baptist Church organized a gospel choir, marking the beginning of gospel music’s acceptance by mainline churches. The energy from the Great Migration also impacted this social musical revolution. Blacks relocating to the North from the South wanted a type of singing that reminded them of home—songs with rhythm, hands clapping, and feet tapping. Frustrated with the Northern worship style, newly arrived Southern blacks who had joined large churches left and began to join storefront churches where worship services resembled the ones they left in the South. Pastors at traditional churches began to take notice.

At Pilgrim Baptist, Dorsey’s own pastor was encouraged by the success of Ebenezer’s gospel choir, and he soon hired Dorsey to serve as the church’s gospel choir director and musician in 1932. Dorsey held that position for more than 50 years. Ebenezer and Pilgrim’s acceptance of gospel music as a religious genre helped to fuel gospel music’s prominence in church worship not only in Chicago but also across the country.

Thomas Dorsey published and performed his own music for decades. He earned his nickname as “The Father of Gospel Music” because of his impact on traditional gospel from the 1930s to 1950s. For most of his life, when he wasn’t playing or leading music in Chicago, Dorsey traveled around the United States demonstrating his music, conducting workshops, presiding over music conventions, and occasionally writing.

More

From The History of Gospel Music

Dorsey recording

What do we do with this?
For what will we use our talents? For what will we strive? It is a question in every era of our lives, from childhood to old age? So there is probably a choice for you today. Sit back and ask what needs to be done. Are read the circumstances, as Dorsey read the tragedy of his life, as see how they inform your choice, knowing Jesus as you do.

Sit back and enjoy inventive, relevant music from Dorsey’s era.